Monday, March 17, 2014

Nicaragua


Seated comfortably in the cushy, corner chair, I allow my thoughts to drift back over these past eight days in Nicaragua, a most beautiful land of an open and gracious people.  What struck me every day during our bus rides through the mountains of Jinotega was the utter glory of this uniquely, unspoiled land.  Mountains, valleys, lakes, fields, woods, small villages, sporadic clusters of hut-homes, winding roads, and free-roaming dogs, chickens, and livestock merely shift places on the unfolding canvas of this exquisite county. I tried to take photographs, and I do have some, but most often I turned off the camera, allowing the lens of my eyes to absorb all that passed before me.





While the countryside created the setting of the story, the work of our trip, taking medical care to the rural communities without easy access to health care, supplied the characters, the dialogue, the conflicts, and the themes.



The people of Nicaragua, striking with warm skins, dark eyes and thick, lustrous hair, are a proud people.  They lined up each clinic day dressed in their Sunday finest, patiently waiting for a turn to speak with a doctor about their headaches, joint paints, gastritis, fungus, difficulties breathing, sleeping, eating, etc. etc.  They rattled off multiple names--three and four primary names and two or three last names.  Castro.  Hernandez, Viagra, Rodríguez, Lopez, Gutierrez were names I wrote over and over again the day I helped register men, women, children and infants for our clinic.  Life is hard for the people of this coffee-growing region. 



(For the first time, I was able to give a prayer shawl I knit to someone who needed it. This beautiful woman lost her sister, just last week.  Together as two women, we hugged, prayed, concurrently in Spanish and English, and cried.)  

Basically, the people live outdoors, with cooking pits, beautiful arbors and small courtyards arranged for practical use and seating.  Clothes hang in neat lines strung near to the homes (very small by our overgrown standards), cobbled together from an assortment of metal, concrete, sundry pieces of wood, doors, windows, and almost always with a satellite dish affixed to the roof.


(These flats are for drying coffee beans.)


 There is more foot traffic on the rural roads than motorized traffic, which was almost entirely busses and the occasional motorcycle.  Men ride horses over the fields for work or for travel and in the village, they ride bicycles, often carrying one or more passengers, balanced on handle bars, seat bar, or back fender.  Women walk, frequently carrying infants or small children. 



And then there were the children...the children, the ones who most captured and captivated my heart.  My responsibility at the clinic was to operate the “arts and crafts” table, a place where patients could park their children while they waited to be seen and were seen by the medical professionals.  All ages sat or stood, huddled around the table.  The woman who gathered the supplies packed lots of coloring books, some scratch-off forms that yielded bright colors under a stylus, and stickers.  I brought rainbow looms, bands, and a compartmentalized container to organize an inviting array of colors.








 It became very clear, very quickly that the children were quite accomplished at coloring.  When I mentioned this to the director of the orphanage, she told me that the children spend a lot of time coloring at school and it is source of pride for them and for their families.  “Would they make pictures with blank paper and crayons,” I asked her.  “It's not likely,” she replied, explaining that following rules it is also how they learn, by rote memorization.  As an educator that shallow pedagogy deeply saddens me.  It is no wonder that only 6% of the country’s high school graduating class passed the college entrance exam (which by the way was a national scandal this year), with most of those students attending private schools. 


The school day is broken into shifts, with the younger students going in the morning, beginning early and ending by noon and the upper levels attending in the afternoon, and finishing around 5:00.  School days are frequently cut short or canceled at the discretion of the teachers.   It is easy to learn to color well between the lines, but it takes higher forms of concentrated brainwork to put ideas together, to abstract concepts, to imagine, and to create.


It pleased me to teach the children, both young and older, to “rainbow loom.”  I soon managed to paste together some simple Spanish words and phrases and with demonstrations, hand-over-hand if needed, guided instruction, gestures, nods, smiles, and lots of "Si", "muy bien", and "que bonita", I managed to teach a simple craft.  It was their job to add the art—to pick the colors, make the patterns, determine the design, the length, and the recipient.  When all the looms were in use, we worked on fingers or used the styluses we had on had.  No looming wannabe was turned away or left empty-armed.  Soon our team's youth joined in and there was laughter, noise, and friendship freely flying around the table.  





A small project, a simple activity, but perhaps it ignited a tiny spark of realization that their hands and minds could create something of use and beauty.  I am already planning and thinking of ideas for next year….and there will be, for me, a next year in Nicaragua. Esta bien. Muy bien.


Tuesday, March 4, 2014

Marching Orders


In less than a week, I leave March here in Pennsylvania (current temperature 7 degrees) to fly south to Jinotega, Nicaragua (current temperature 62 degrees).  My packing this week assumes form  The piles of things accumulating in the closet now fill a carry-on bag or a small daypack to hook around my waist.  Two pairs of pants, one pair of capris, two long-sleeved t-shirts, five short-sleeved t-shirts, a pair of flip-flops, sandals, Keens, pajamas, light jacket, bathing suit, a hat, underwear, toiletries, a book (and book light), ear plugs, journal, bible, pens, and a few more incidentals. I have been told to pack lightly; I hope I am.

Our team already packed, spending a Saturday morning seeking the most efficient and effective way to squeeze medicines, medical supplies, prayer shawls, and donations for the orphanage into a fleet of large suitcases not exceeding 50 lbs.




We are ready, and I think I am as well.  My dear sister-in-law (a seasoned world traveler) sent me bandanas, soap that serves as shampoo and conditioner, a sleeping mask, money belt, along with her welcomed counsel. My sweet friends held a luncheon to send me off, showering me with love and donations for the orphanage (can you tell we are all retired teachers?!).  It all is such an encouragement, as I freely admit a sense of nervousness at flying off to places and experiences very unknown to me.



But this whole thing is really not about me.  It is simply a response to two questions--Can you go?  Will you help?  Thus I go, part of a team commissioned to bring medical help to a country where such help is in severely limited supply.  I go to help by summoning whatever talents I possess to be of use: to my team, to the people in the mountains of Nicaragua, and to the children and staff of the orphanage where we shall stay.  I go to listen, to watch, to learn, to work, and above all to love.

p.s. As part of my team, I will be the official "blogger."  You can follow our trip by accessing our team blog found here.

Monday, February 24, 2014

A Simple, Scrappy, String Quilt


Last week, Jim and I escaped the grip of winter here in Pennsylvania, traveling south to spend a few days with our daughter and her boys.  Experimenting with including fabric into her paintings, Barbara has been talking often about sewing, so Santa surprised her with a sewing machine.  Since decades have passed since she sat in Mrs. Schude's FCS class in middle school, and it seemed a sewing refresher and supervised sewing machine practice might be called for.  Hence, my excuse for the trip.  Jim's excuse was to be the long-distance driver, shopper when we got there (he loves doing that!), my trip buddy, and, of course, Grandad.

We arrived bearing a bin filled with fabric scraps, sewing supplies, and my mother's trusty Singer Featherweight. I had planned to practice by piecing a tote bag, but Barbara said, "let's make a quilt!" After a quick introduction to a rotary cutter and mat, we set about cutting fabric into to strips.


Followed by stacking and sewing the strips together,


which we then cut into 12 inch widths, and arranged into five columns to make the quilt top.


We backed it with a table cloth Barbara had on hand,  layered and trimmed the batting and backing...


turned the binding, mitered the corners, and stitched it in place.


Then we pinned all the layers, knotted them together with grey crochet thread



and voila'!  


An easy, colorful first quilt pieced and sewn together by this mother and her daughter in just two days!  It was really fun spending time creating and sewing with my daughter.  We decided to find ways to continue this collaboration, even though three states divide us.  

Both boys both tried it out and pronounced it good.  It certainly is...



Friday, February 14, 2014

Red


 In honor of Valentines Day and in preparation for sewing with my daughter next week, I cut some strings of red...


...sewed them together, trimmed them into a rectangle...


made some handles and a pocket,



and now I have a new knitting bag!

Wednesday, February 12, 2014

A Simple, Flannel Baby Blanket



I now have an alternate go-to baby gift. We were discussing baby showers at Curves recently, and I mentioned that my go-to gift is a bedtime book bag, books and my fav baby sweater (Lillie's Little Sweater).  Terri, our fearless leader, said her go-to was a gift bag with two handmade flannel blankets and a bottle of champagne for the parents.  Then she proceeded to tell us how to make these simple blankets. Terri's simple directions as told to me across the exercise machines:

Simple Flannel Swaddling Blanket

1 ¼ yards flannel ("good" flannel, she stressed. And I found some at a nearby quilting store.)
1 ¼ yards complimentary flannel
matching thread


Prewash flannel to make certain that it shrinks.  Cut both pieces of flannel to roughly a one yard piece, making certain the width and length match in both pieces.


  Pin right sides together.  Sew right sides, using 5/8 inch seam, leaving about 5 to 6 inches unsewn to allow for turning.  Clip corners.  


Turn blanket inside out.  Making certain edges match, pin together unsewn edges left for turning.  Top stitch, using a 3/8 inch seam allowance.

Press lightly. 

Voila'!  These really are wonderful blankets for mamas and their wee ones.




Wednesday, February 5, 2014

Another Quilt Story



The phone rang Saturday morning just as I was dashing out the door.  My friend Mary answered my hello by continuing, "We are downsizing and I have a few things I thought you might like."  My interest piqued as she listed what she had set aside.  "I have a small stack of quilting books, sort of coffee table books, would you like them?"

Oh yes, of course I would.  Rarely do I refuse books from friends.

"And, I have an old quilt top, I bought at an auction, fifteen years ago, I think.  It needs quilted and finished. Would you like that as well?"

Most definitely a big yes on that one!  I love old quilts, fascinated by the fabrics, the designs, the workwomanship, and whatever stories the quilt may tell.

 I was not disappointed. The quilt top is glorious.  Mary was right--it was unfinished but only nearly so.  The quilter had finished piecing the top, some by hand and some by machine, as far as I can tell.  She had laid it out on batting and placed a goodly sized square of muslin underneath as backing.  It only needed to be secured by quilting or tying and then bound.

Since the fabrics seemed a bit fragile to me, I decided to tie it, rather than risk tearing it by machine quilting it.  And besides, I didn't want to detract in anyway from the majesty of the top...I figured the less I intrude, the more the quilter's artistry shines.



Using some high quality, fine wool yarn, I tied the squares at the corners. Delighting in the fact that not all corners matched, I celebrated the homespun honesty of this quilt.  As I tied the quilt, I examined each square, marveling at the fabrics and wondering when exactly these fabrics lived.  I am thinking maybe the 1950's.  There seem to be a lot of shirt fabrics, contrasted with small prints.  The red is exquisite, isn't it?  And the block pattern?  So simple but so effective.

The quilter left just enough backing so that I could simply trim the batting, trim ever-so-slightly the backing and turn it to the front, mitering the corners. Basically, the only things I added were the understated yarn at the corners and the thread used to stitch the binding.  While I now possess this quilt, it really still belongs to its maker.



I cherish this quilt and am honored by the gifting of it.  I loved working on this coverlet, thoroughly enchanted by to become part of the history of this art and part of the "herstory" of this one particularly beautiful quilt.